Madhur Bhandarkar's much awaited Heroine is expected to be another good addition to the likes of Chandni Bar, Fashion and Corporate. One draws a lot of expectations from the music of the film too, especially since Salim-Sulaiman had given some good chartbusters in Fashion. The music album comprises of five tracks including an item number, a Sufi track and a rock outing.
An item number is one of the tried and tested ways to connect with masses and the ingredients comprises of a sensual voice, naughty and catchy lyrics, music that complements the theme well and a charming body beautiful to bring it all together. This is what makes the first track of the album, Halkat Jawani, a special one. With vocals by Sunidhi Chauhan, this track proceeds well with the use of word Aaja being really addictive. Add to that a diverse musical arrangements comprising of guitar, harmonium and dhol and you can hear an enhanced effect. Moreover, lyrics by Niranjan Iyengar do well with the setting too, hence resulting in an all around package affair.
The second track is the title song Main Heroine Hoon which is in the vocals of Aditi Singh Sharma. This one is a situational composition while also lending a haunting feel. The beginning has a touch of Bond theme though the song proceeds wellwith a nice fusion of 'sitar' along with modern instruments. The whole musical setup is quite good with Sanjay Chhel's lyrics rightly symbolizing the film's theme.
Album is carried forward by Saaiyan, a solo classical Sufi track in the melodious voice of Rahat Fateh Ali Khan. This one is a soft and touching rendition that opens with an impressive male chorus, further to which Rahat's voice aptly narrates the pain and agony of a broken heart. Amitabh Bhattacharya's lyrics are astounding and remarkable that only relaxes one's soul.
Rock and Shreya Ghoshal is a rare combination and with the track Khwahishein, and one gets to witness that. There is a good fusion of piano and violin and though Irfan Siddique's lyrics are just average, it is Shreya who keeps the feel of melancholy alive while giving an accurate substantiation of her versatility.
The album ends with the track Tujhpe Fida which is the only duet song with vocals by Benny Dayal and Shradha Pandit. This club song has in it to take you to the dance floor with its energy and mood. Shradha's vocals appear to be really amazing in her solo portion as she creates a perfect chemistry with Benny that further makes it a nice treat for the listener.
Overall, Heroine turns out to be a good album that may have done a little better had it climbed a few more stairs up the popularity quotient. Having said that, the USP of the album is Halkat Jawani which is already making its way to the top of the charts.
Chal Pichchur Banate Hain is an unheard movie that has not been publicized and marketed well. However, theme of the movie is interesting and very close to Bollywood filmmakers. Movie is produced by Twilight Entertainment and is directed by debutant Pritish Chakraborty. Keeping the theme in mind one would require good music to represent Bollywood and its many emotions. There are five songs in the album and while the film has all new faces, even music is composed by upcoming Gaurav Dagaonkar whose Kaafirana [Joker] is currently doing well.
Album begins with a track titled Copy Paste. As the title suggests, it's a fun filled song by Kailash Kher. The number portrays the emotions and the theme of the movie very simply and effectively. Pritish Ckakraborty along with Anurag Bhomia has written lyrics which are sarcastic and a spoof on piracy. It's an appropriate opening for the album though one does feel that it could have been a little more effective with some variations.
Next track It's Time continues the fun mood. It's a situation-based track in the movie which should carry the story forward. Pritish and Gaurav have written lyrics and done a good job by seizing the requirement and emotions appropriately. Suraj Jagan as the vocalist and has given his trademark touch which goes with the spirit of the song.
Javed Ali and Shreya Ghoshal take the album forward with Bas Tu Hi. It's a romantic track written by Seema Saini. Javed Ali with Shreya are the chosen ones here but overall the song turns out to be just average with very little for the listener to remember it for.
Main Gaa Loon Zara is sung by composer Gaurav Dagaonkar himself. It's a male solo with guitar as a base. Arunima Bhattachrya has written the lyrics and she has captured the essence and the requirement nicely. It's a free spirited happy song which, if picturised well, can become the one to look forward to in the movie.
Bawaran Mann is a soft melodious romantic track sung by Shaan and Sunidhi Chauhan. Both of them have done justice to the song which is a potential success in the making if promoted well. Seema Saini's lyrics suit the mood of the song and accentuate the overall impact.
For an unknown movie with no star cast, the music has to be really powerful to make an impact. Chal Pichchur Banate Hain loses on that count though there are some sparks in the album, case in point being Bawaran Mann. However on the whole, the album turns out to be just about decent affair though a chartbuster or two could have helped the cause.
OMG Oh My God is the upcoming venture of Akshay Kumar and Paresh Rawal which has music by Himesh Reshammiya and a guest composition by Anjjan-Meet Brothers. It is interesting to see a different side of Himesh as he brings on some soulful music that is mainly about the almighty and His magic. Himesh's unique work makes it quite exclusive from the league of other contemporary soundtracks.
The album begins with the track Don't Worry (Hey Ram) in the vocals of Benny Dayal and Himesh Reshammiya. The background music adds a pinch of masti from the evergreen track Dum Maaro Dum [Hare Rama Hare Krishna]. The two tracks cannot be compared and are poles apart as this one is a pleasant experimentthat adds up a flavor of carefree life which is well penned with a mix of English words by Subrat Sinha. A modern avatar of prayer offerings, this one is a huge winner in the making.
The 'remix version' of this track is close to the original track with a mix of high note beats making it all the more vociferous. This version will certainly be able to enhance the splendor of discs and clubs.
Master of Sufi Kailash Kher adds rainbow of beautiful vocals in the track Mere Nishaan. This one is a soft track with a pleasant chorus in the background given by Anjjan - Meet Brothers. Lyricist Kumaar deserves an acknowledgement for his magnificent piece of work as he successfully brings to fore the predicament of the God who is helping today's thankless human beings. The musicalarrangements by guest composers Anjjan Meet - Brothers are really beautiful and aptly sketch the theme of the movie. It is an extremely mesmerizing number which would really do well in the movie.
Tu Hi Tu is a solo track sung by Mohd Irfan. This track begins with a gripping flute that catches up on beats gradually and paces on a fast track with high notes. This number very magnificently and rightly explains the presence andexistence of almighty within human heart. Himesh's composition is really appealing with a touch of rock element infused in it that will certainly grasp attention of the young listeners. Sameer's lyrics are good as always though the 'reprise version' is quite similar to the original with hardly any innovation to the original.
The 'unplugged' is a pliable edition which takes off with soft beats and is carried forward with a soulful play of flute, violin and piano, hence turning out to be immensely mesmerizing. This one is even better than the previous two adaptations of the same track, including the 'remix version' and invites one to close eyes and feel the presence of almighty around.
Go Go Govinda begins on high notes while skillfully using the shrill beats of drums to spice it up with the amazing vocals of Mika Singh and Shreya Ghoshal. Both artists have really complemented each other well which is also a strong forte of this already hit track. Theflow of enthusiasm in this track reminds of magic, masti and thrill of Janamashtmi and its Dahi Handi. Musical arrangements from Himesh are pleasant and exciting that really go well with the Govinda theme. Lyrics by Shabbir Ahmed are simple and straightforward, hence making the song all the more enjoyable. Ditto for the 'reprise' version which has Aman Trikha coming behind the mike.
Next to arrive is Hari Bol which is a solo composition in the vocals of Kirti Sagathia. This number is a folk based composition by Sachin-Jigar who have optimally utilized various shades of traditional Gujarati music. Altogether it is a nice experiment by the composer duo with Swanand Kirkire's lyrics going very well with the theme of this track.
The album is carried ahead with Oh My God (sound Track), a short enchantment of almighty lord by Zubeen Garg. Track is a pleasant gift for mind and soul that will make you sway in desire of God. Soul play of Flute is a rare gift which comes with the next track Krishna Theme. This is a magnificent classical jugalbandi of flute which also has a very soothing effect on the soul. A rare treat to enjoy!
Overall the album is an unusual experiment in itself with an already good response for Go Go Govinda. With rest of the songs making this score all the more rich and soulful lyrics adding on to the overall appeal, OMG Oh My God is indeed one of the memorable albums in the offering from Himesh.
Joker is one of the most talked about movies of the year. Keeping in mind that it is an Akshay Kumar movie, there are a lot of expectations, more so since music has always been a strong point in his films. In case of 'Joker' they are only all the more since the movie is directed by Shirish Kunder who had ensured some good music for his debut directorial outing Jaan-E-Mann. To fulfill these expectations, G V Prakash Kumar (nephew of A R Rehman) has been the chosen one for the music composition while Shirish himself has penned the lyrics.
Album kicks-tarts on a high note with a song titled Kaifirana that sets the mood right away. Song is currently being played across all entertainment channels and marks an introduction of Chitrangda Singh in an item number. Musically, this guest composition by Gaurav Dagaonkar does grow on the listener and is already a reasonable hit. It is sung by none other then Sunidhi Chauhan who has done full justice to the song in her affective and buoyant voice. The beats and lively atmosphere created by the composer alsolift the spirits and heighten the effect of the song.
Udit Narayan makes a comeback and throws a pleasant surprise with the next track Jugnu. It is a motivational track which required an honest voice, and his voice does suit the genre. However, song lacks the punch and leaves the listener desiring for more. With better lyrics andcomposition, the song could have been an anthem, just like Yeh Tara [Swades]. However it fails to do so and ends up being an average track. Hopefully thepicturisation would elevate the song.
Album moves forward with Singh Raja. It's a folk based track with techno music in the background. Sung by Daler Mehndi along with Sonu Kakkar, the song moves ahead on a riotous note even though the lyrics are very pedantic and ordinary. Still, the composition is catchy with a flute in the background doing the trick, hence ensuring that the song would definitely on stay with the listener for some time to come.
Meanwhile Yeh Joker is an upbeat and lively track in the album. Sung by Sonu Nigam and Shweta Pandit, it's a theme based song which introduces the central element of the film to the audience. Lyrics are very colloquial and suit the music and accentuate the atmosphere created by the composition. Sonu Nigam has been able to add his signature style to thesong which reminds one of his previous hits.
Album concludes with two instrumental tracks, both of which are situation based and should have a good role to play in the movie. Tears of Joker leads the way where G V Prakash manages to touch one's heart with his soulful composition. He changes the mood in his next instrumental Alien Arrival. It's an upbeat and high impact instrumental, which does its assigned job of introducing the aliens (and perhaps the Joker too)!
All in all, music of the movie is situation based and one would have to wait to see the full effect of the same in the movie. Some of the tracks are upbeat, loud and have the fun element, which the movie requires. However, one would agree that a few could have been better as they fall short of becoming a hit, hence making Joker a mixed bag. Still, all said and done this is a Khiladi movie which means one can expect some pleasant surprises in terms of the picturisation (courtesy Kunder) and the fun element (coming in due to Farah Khan's choreography).
Raaz 3 is an upcoming romantic suspense horror thriller directed by Vikram Bhatt. This Mukesh Bhatt production is an addition to the successful Raaz franchise and brings together Emraan Hashmi (Raaz - The Mystery Continues...) and Bipasha Basu (Raaz 3). There are six tracks in the album with Jeet Ganguly leading the bunch and guest composer Rashid Khan pitching in with a song too.
Album begins with Deewana Kar Raha Hai which is sung by Javed Ali and is composed and written by Rashid Khan. A soft, melodious and melancholic track, though it is successful in conveying the right emotions, there is something missing due to which it doesn't classify as anything extraordinary.
Shafqat Ali Khan makes his entry with Zindagi Se, a relatively faster paced track, which carries on the mood from the one before. Both songs are very typical of Vishesh Films music, which means there is certain passion and sadness in them that is also expected to prevail in the film as a whole. An average, it has Shafqat making an attempt to give it some lift but the tune doesn't quite help the cause.
Sanjay Masoom has penned both Zindagi Se and Rafta Rafta and they are so similar that they can be mistaken for the other. Only difference lies in the vocals as this one is sung by K.K. (instead of Shafqat). However even he is unable to add to this song due to which it remains as a regular track without any life in it.
Finally, Sonu Niigaam and Shreya Ghoshal bring some kind of happiness in the album with Oh my Love that sort of acts as a mood changer. A romantic track, surprisingly the chemistry between the two singers duo isn't as impressive as it generally is. However it may do well in establishing the relationship between the two principle characters.
Kya Raaz Hai is the next in the album, which is title track of the movie. It depicts the motive and intention of the plot. Lyrics by Kumaar are filled with words like Marhaba or Saiyaan while the music too has a similar characteristic Arabian flavour to it while being interspersed with hip hop beats. Though Shreya Ghoshal does well by also bringing in variations, the lyrics and composition are mediocre which pull the song down.
Last track in the album is Khayalon Mein which is again a Shreya solo. It's a soft romantic track which starts quite slowly and sees a picks in tempo. Lyrics (again by Kumaar) and music, yet again, are ordinary and there is nothing new for the listener since both the song and the situation are very clichéd.
One never expects 'Vishesh Films' music to fail even if the movie may turn out to be weak. Time and again they manage to create certain mood, hence resulting in a hit soundtrack more often than not. In case of Raaz 3 though, they miss the mark. Yes, there are reliable singers right from Sonu Niigaam to Shreya Ghoshal and K.K. roped in but to no avail as the music and the lyrics are very standard. Though the franchise is a hit and Vikram Bhatt should make it a hat trick with the film, the buzz would have been even higher had the music too worked in entirety.
From Sydney With Love is an upcoming movie made under the banner of Pramod Films. The movie comprises of a huge bunch of debutants who are marking their entry in Bollywood. Music is composed by Sohail Sen with lyrics shared by Anvita Dutt Guptan and Kumaar. It is good to see that Sohail's compositions here are really versatile with vocals by different artists adding on to the variety. Also, each of the songs is pleasant-sounding and uplifting.
The music album begins with the title track Feelin Love in Sydney. This number begins with the sound of electronic keyboard and is soon followed by the vocals of Sohail Sen. Use of smooth and pliable chorus along with a touch of rap is really applause worthy. Backing vocals too are good and captivating while lyrics are simple and straight forward.
The remix version of this track is quite similar to the original one with addition of beats and use of dialogues in the track, thus making it a true dancing number, which would be a great attraction for the DJs.
Next in the list is a duet track Ho Jaayega. It begins with the sound of a piano followed by soft and melodious vocals of Mohit Chauhan and Monali Thakur, thus giving it a feel of a true romantic melody. Music composed by Sohail is indeed pleasing as it maintains a good serene feel to it. Moreover, lyrics too deserve an acknowledgement for turning out to be really gratifying.
The track has a remix version which is as pleasing as the original one, turns out to be more of a dance floor hymn, thus very aptly finding a place in the clubs and lounges.
The album moves ahead with Khatkaa Khatkaa, a solo in the vocals of Mika. This one begins with techno sirens followed by 'dhol', thus sounding close to a bhangra track (well, to some extent). Sohail has tried to keep his composition plain with easy yet catchy lyrics though one still feels that it doesn't quite go all the way.
Pyaari Pyaari is the one to arrive next with vocals being shared by Sohail Sen and Brooklyn Shanti. Yet again the lyrics are really pleasing, hence making this one a refreshing outing that has subtle music which further results in a nice treat for the music lovers.
Naino Ne is a duet track in the vocals of Palak and Mohammad Salamaat, though Palak's voice does remind one of Shreya. Mohammad Salamaat is a good support to Palak as well though it's the matter who dominates for most part. The track is extremely delightful and while it begins on a low note, it very aptly expresses the melody that is inherent to love. Heart touching lyrics further helps its cause.
The album ends with Item Hi-Fi, a solo sung by Neeraj Shridhar which gives a retro feel to the album. This one is designed as a cool number which really sounds refreshing and enjoyable with lyrics kept catchy and uncomplicated.
Overall the album is quite refreshing, hence very pertinently depicting the theme of the movie with tracks that are simple and catchy. Sohail Sen, though not being overtly experimental with the album, yet again delivers a soundtrack that you would love to listen on a repeat mode.
Shirin Farhad Ki Toh Nikal Padi is an upcoming Bollywood romantic comedy which is made under the banner of Sanjay Leela Bhansali, the man who is known for tellingsome fabulous love stories. The film casts Boman Irani as Farhad, a loving Parsi bachelor, and Farah Khan as Shirin - a suitable match, who is redefining her career in acting after fulfilling her highly successful ambition as a choreographer (and also taking it forward as a director). The soft and melodious music of this album by Jeet Ganguly (with lyrics by Amitabh Bhattacharya) adds another dimension to thecomic theme which is quite an experiment to watch for.
The album begins with the track Ishq Mein Tere Bina which has melodious vocals of Shreya Ghoshal who is accompanied by K.K. This number begins with soft and subtle instruments in the background that binds the romantic theme of the song. The impact of Shreya's vocals is really remarkable and charismatic as she portrays romantic mood in the song quite well. Amitabh's lyrics and Jeet's music go hand in hand, hence resulting in a captivating song that pertinently depicts the mood of the movie.
The magic continues in the voice of Shreya Ghoshal who arrives with the track - Khatti Meethi. Aura of her voice can be truly felt in the track which flows as smoothly as a stream of water with amazing play of guitar in background. This one actually paints a joyful mood. Amitabh's selection of words catches attention of the listeners.
The album moves ahead with another solo Kaafir Andhere, third straight piece of melody in the line-up which tries to express the melancholy in the some attention grabbing vocals of K.K. The track covers a journey from low to high notes where melancholy takes its peak in K.K's emotive vocals. Lyrics by Amitabh compliment depth of the pain here.
Mood is uplifted as one proceeds from a painful to a joyful number with the title track Shirin Farhad Ki Toh Nikal Padi. Neeraj Shridhar shapes up the theme of the album with some rap added on to good measure as well. Still, since the track is not something which could be termed as an out of the box piece, it may not be able to leave its mark.
There is good experiment coming into play with Mohit Chauhan being heard for the track Kuku Duku. The track goes well with the comic theme of the album with flavors of rock music being mixed. Lyrics by Amitabh are catchy but still could have added something more to this comic theme, hence making the song all the more attractive. Mohit is good as always and is matchless yet again.
What one misses though is a dance track that could have made you shake your leg. In Rhamba Mein Samba, Jeet tries to infuse this color too with the queen of Rhamba Samba music, Usha Uthup, but still falls short. The track is fine but not something which can actually be taken to the dance floor.
Overall, it's a good album with a bag full of melody due to vocals of K.K, Shreya Ghoshal, Mohit Chauhan, Usha Uthup and Neeraj Shridhar. Still, what makes it short on some counts is a missing dance number as well as some effective lyrics that could have brought on all dimensions of joy.
'Challo Driver' is a romantic comedy that features Kainaz Motiwala of 'Ragini MMS' fame who pairs up with actor-lyricist-producer-director Vickrant Mahajan. The music album comprises of five tracks being composed by Gaurav Dayal and Sajjad Ali Chandwani.
'Challo Drover' begins with the track 'Kudi Pataka Driver' which is all about a female chauffeur, thus very aptly explaining the theme of the movie. The vocals of the track are led with Mika with Hard Kaur chipping in as well in her boisterous self. She kick-starts the proceedings with her English renditionbefore Mika takes over and ends up dominating the rest of the song. Though this could have been a catchy Punjabi number, one somehow feels that overall it does not leave any significant mark. Even lyrics are routine and don't really grab your attention much.
Next to arrive is 'Dehle Pe Gulla', another distinct Punjabi composition in the album. Vocalist Labh Janjua is very aptly able to connect the theme of the song with Punjabi 'masti' and fun on the beats of 'dhol'. This time around lyrics are simple, yet attractive.
'Wakhre Wakhre Kaam', another addition to the album is an average track. As singers, Gaurav Dayal and Aditi Verma are not able to add much charm to the track since it comes across as a barely passable 'jugalbandi'.
'Umangon Ka Karavan' is a soothing passionate song. Track begins with a soft whistle and guitar that is followed by the soft and romantic vocals of Shaan and Raktima which directly relates with the joyous mood of the setting, hence coming as a fresh morning breeze and in the process lifts your mood. This one is a better track and also quite different from the first three numbers.
The music album ends with 'Ittefaq Hai Daastan Hai', a solo, which is sung tremendously by Shubhankar Dutta . This one is a slow number that starts on low notes and has soft instruments blend quite well with the soft and subtle voice of Shubhankar. A sad number that does manage to touch your heart to some extent at the least.
Overall, 'Challo Driver' is an average album with songs that depict the comical essence of the film. Though Punjabi tracks dominate the scene, irony is that they don't really leave a long lasting impact for the listeners.'Challo Driver' is a romantic comedy that features Kainaz Motiwala of 'Ragini MMS' fame who pairs up with actor-lyricist-producer-director Vickrant Mahajan. The music album comprises of five tracks being composed by Gaurav Dayal and Sajjad Ali Chandwani.
'Challo Drover' begins with the track 'Kudi Pataka Driver' which is all about a female chauffeur, thus very aptly explaining the theme of the movie. The vocals of the track are led with Mika with Hard Kaur chipping in as well in her boisterous self. She kick-starts the proceedings with her English renditionbefore Mika takes over and ends up dominating the rest of the song. Though this could have been a catchy Punjabi number, one somehow feels that overall it does not leave any significant mark. Even lyrics are routine and don't really grab your attention much.
Next to arrive is 'Dehle Pe Gulla', another distinct Punjabi composition in the album. Vocalist Labh Janjua is very aptly able to connect the theme of the song with Punjabi 'masti' and fun on the beats of 'dhol'. This time around lyrics are simple, yet attractive.
'Wakhre Wakhre Kaam', another addition to the album is an average track. As singers, Gaurav Dayal and Aditi Verma are not able to add much charm to the track since it comes across as a barely passable 'jugalbandi'.
'Umangon Ka Karavan' is a soothing passionate song. Track begins with a soft whistle and guitar that is followed by the soft and romantic vocals of Shaan and Raktima which directly relates with the joyous mood of the setting, hence coming as a fresh morning breeze and in the process lifts your mood. This one is a better track and also quite different from the first three numbers.
The music album ends with 'Ittefaq Hai Daastan Hai', a solo, which is sung tremendously by Shubhankar Dutta . This one is a slow number that starts on low notes and has soft instruments blend quite well with the soft and subtle voice of Shubhankar. A sad number that does manage to touch your heart to some extent at the least.
Overall, 'Challo Driver' is an average album with songs that depict the comical essence of the film. Though Punjabi tracks dominate the scene, irony is that they don't really leave a long lasting impact for the listeners.
Yeh Jo Mohabbat Hai - The film's title reminds one of the famous evergreen romantic songs of Rajesh Khanna and takes you back to that genre. The moviedoes the same too since it comes from the same production house that gave romantic sagas like Aradhana and Kati Patang. Produced by Shakti Samanta's son and starring Aditya Samanta (his grandson) in the lead, the film automatically leads to good expectations, more so with Anu Malik as the music composer. There are seven original tracks and all are sung by the stalwarts in the music industry.
Pyaar Karna Na Tha marks the beginning of the romantic journey and is quite apt song for a love story. Mohit Chauhan has adorned the song with his silky-n-smooth voice. Late Anand Bakshi has written the lyrics of this delightful, soulfultrack where Shreya Ghoshal is the chosen one to sing the female version. Tostate the obvious, she has sung with all her heart and has made it a charming experience for the listener. Both the versions sets the tone for the movie and if picturised well, they could well be the kind of romantic tracks that find good attention from a listener. In fact the song also reminds one of Ek Din Aap…Maine Socha Na Tha from Yes Boss which was composed by Jatin-Lalit. Nonetheless, Pyaar Karna… is the one which can be put in repeat mode and still not get bored.
Suzanne D'mello begins Tere Bina Jee Na Lage with her signature style and while she is able to draw attention of the listener with her soft and velvety voice, Mohit Chauhan does a wonderful job in taking it forward. Their vocals, which are similar in style, compliment each other and create a heady mix for the listener. Kausar Munir's lyrics are relaxing and suitable for the song.
Roop Kumar Rathod enters the album with Naina Thak Thak Haare. It's a traditional judai song, which is a requirement in a traditional love story. It does its job pertinently and conveys the emotion easily. Anu Malik has chosen the singers well while keeping in mind that a number like this requires the voice of someonelike Roop Kumar as you need to touch a listener's heart. It's after ages that one hears an old formulaic track again and frankly, it's a welcome change from the techno and hip-hop sound of today. Faiz Anwar Quraishi has written the lyrics and well captured the essence of the situation.
Kyon Kyon is a fun filled song that has the playfulness and sensuousness of young lovers. Shreya Ghoshal and Shaan team up for this one and are able to play the game of one upmanship between lovers, something which is the core of the track. Though the song is nice and is different from routine, it lacks a punch andleaves the listener craving for more.
Big Fat Indian Wedding is decent but fails to do its job of becoming a blockbuster. Yes, it's a foot tapping number sung by Neeraj Shreedhar and Anmol Malik (while being written by Anu Malik himself) but doesn't quite all the way and ends up being barely average.
Last but not the least is Angel my Angel which is sung by Anu Malik's lucky mascot Alisha Chinai along with Sonu Nigam. It's a Hinglish soft romantic number which conveys the emotions of a young couple in love. However, even though it hasbest of the singers, it does not have the magic to seize listener's attention. At best, it appears to be an amalgamation of two-three romantic tracks and ultimately fails to rise to the occasion.
Yeh Jo Mohabbat Hai is a romantic film which means the tracks are bound to be romantic. In that aspect, there are plenty in store here even though they don't turn out to be the kind that evergreen tracks are made of. Album reminds one of the kind of music that Anu Malik had composed in his Filhaal and Yaadein days though an overall magic is missing. Still, one would better go with a wait and watch approach since romantic numbers generally grow in repeated hearing and one just hopes that the same happenswith this album as well.
So here is the tiger (Salman Khan) coming out of his den, roaring and waiting to hit the silver screen yet again. The most awaited pair of Bollywood (with Katrina Kaif in tow) is back with a bang, an upcoming action thriller by Yash Raj Productions. What ends up making an impression is the Yash Raj trademark, some good music, which is composed by Sohail Sen with Salman's current favorites Sajid-Wajid chipping in as well.
The album begins with the track Mashallah which is composed by Sajid Wajid. Vocals of the track are by Wajid himself who has Shreya Ghoshal joining in. This track has a good styling with Middle East flavor to it which makes it different and enjoyable. Amalgamation of spirited rendition by Wajid with the softness of Shreya's voice is quite catchy. Kausar Munir's lyrics make this track different from rest of its ilk and add another dimension of depth to this song. Mashallah also has a 'remix version' which is quite similar to the original one though it begins on a high note and has an enormous appeal for the DJs.
So what should a perfect romantic number include to bring on some good appeal? Play of piano, a soft chorus mix with of course some melodious music. All of this comes together in Laapata. The start is so mesmerizing and vivacious that it manages to create an essence of a true romantic number. As the play of track begins, you might feel like grabbing your partner's hand and enjoy a salsa to bring on the romance. This is one of the more remarkable contributions from the composer Sohail Sen who adds some soft chorus in the background while Anvita Dutt's lyrics are pleasing and attractive. The track has been remixed by Joshilay to add on the spice. Fast, catchy and as good as the original, it enhances the overall appeal.
The album is carried forward by a solo track - Banjaara - in the strong voice of Sukhwinder Singh. The magic and thrill of his charismatic voice can be truly felt in this song. Overall, a good composition by Sohail, who has used female chorus to good effect in order to compliment the brilliant singer. The blend of violin with modern day instruments is good while lyrics by Neelesh Mishra are able to successfully tie the theme of the song well with the strong composition, hence delivering a complete package. To further bring you on the dance floor, there is a 'remix version' by Joshilay. This one adds another dimension to the same song, hence justifying its presence.
Next in the lists is Saiyaara where vocals by Mohit Chauhan and Tarannum Malik take the song to a different level altogether. Clearly the best of the lot, the song is also accentuated further by Kausar Munir's lyrics that are different, enjoyable and yet so simple. Melody holds centre-stage for this song which has all in it to be the biggest chartbuster of the film. Melody rules the proceedings here and brings on the kind of effect that touches your heart.
The album includes an instrumental track - Tiger Theme – which summarizes the entire essence of the album in a quick go. This in fact is the catchiest of the lot and has been beautifully done. Also, it aptly and very appropriately connects the audiences with the film's core plot, narrative and genre. Composer Julius Packiam is able to bring thrill,excitement and feeling of passion and suspense which is in line with theme tracks of many a Hollywood flicks.
Overall Ek Tha Tiger is a good album which is successfully able to carry forward the subject of the movie. It has the right blend of thrill, romance and suspense while being a true Yash Raj piece of work, hence ensuring that audiences would bepulled to the theaters.
Gangs of Wasseypur II is an extension of Anurag Kashyap's resolute crime series. The music album though neither comprises of any item number nor is there any retro number that could enhance the exquisiteness of a disco deck. Rather, this Sneha Khanwalkar composed album is very appropriately decorated with the kind of tracks that connect the movie with the core realm of affairs. The contribution made by lyricist Varun Grover has also tried to keep up with the theme of the movie.
The album starts with the track Chhi- Chha Leddar where vocals are given by a 12 year child artist Durga. The innocence and purity of a child's voice can be felt across the entire track. Use of funky instruments in the track sounds really fascinating albeit a bit strange. Varun's lyrics make things further interesting and attractive.
Next to arrive is Kaala Rey, a solo which is sung by Sneha herself. A slow track, its appeal is further accentuated by Varun's lyrics that haunt the listener, more so since everything in the track is conveyed as kaala.
Electric Piya follows next and the track begins with a harmonium that adds a desi Bihari folk tadka to the music album. Rasika D Rani's rendition is racy and catchy. Lyrics are interesting too and would certainly bring rural masses to the theater. Another version Electric Piya - Fused is a techno manifestation of the original.
Bahut Khoob, an experiment by Sneha, is more of a poetry being recited by a child without any pause. Though music conveys a qawali feel in the beginning, it turns out to be harsh and even a little weird as it proceeds. There is an '8 bit' version of the song that appears as well which is quite similar to the original but is unable to appeal to the audience. More so since the lyrics, yet again, are unclear and ambiguous.
Taar Bijli, a very apt folk song sung by Padamshree Sharda Sinha is really superb though and while the tune is slow here, the lyrics are humorous and catchy.
Aabroo, a qawwali by Piyush Mishra and Bhupesh Singh, seems to be a satire on the evils existing in the society. What works most are the lyrics which are simple and easy to understand.
Another addition to the album is, 'Perpendicular-Theme' which is a good fusion of various instruments and sounds brought to fore by the composer.
Next to appear is Moora, a slow number. This track begins with a beautiful amalgamation of piano and guitar while Sneha's vocals are soothing to ears. Moora - Morning is another variation to the song but doesn't appeal as much as the one that was heard before.
Tunya, another instrumental experiment by Sneha, begins with the kind of sound that reminds one of the kind that played along with ever-so-popular 'Super Mario' video game. This is further fused with harmonium quite remarkably, hence bringing a unique touch.
The album ends with KKL, a techno version of Keh Ke Loonga, the biggest chartbuster from Gangs of Wasseypur. This one begins with the sound of drums and is combined well with modern instruments, hence lending a true fusion folk appeal.
Overall though there is something still missing due to which Gangs of Wasseypur II settles down to be a barely average album. Yes, Sneha and Varun have tried to keep the songs quite different from the current musical trends in the industry. They have also provided audience with the true essence of the movie. However as a standalone album that may have a shelf life of its own, Gangs of Wasseypur II doesn't really have in it to cover a greater distance.
Mere Dost Picture Abhi Baaki Hai is another addition to the planet of comedy in Bollywood. The music album attempts to versatile while comprising of seven tracks that are composed by varied music directors and also sung by different artists. However, only Sukhwinder and Parvez manage to leave some mark.
The music album begins with the title track Picture Abhi Baki Hai which very aptly explains the theme of the movie. Sung well by Shabab Sabri, it has lyricist Ravi Chopra using words like 'seat', 'balcony', 'parda' and 'interval' quite well, hence giving a true sense of a theater in motion. However, music by composer Rajendra Shiv is quite ordinary and doesn't really make you hear the song all over again.
Next on the chart comes the track Salaame Ishq where music begins on high nodes. Magic of Sunidhi's sensuous voice gives it an appeal of an item number. This one is the kind which one can at least to a few times. Music by Subhash Pradhan has a usual party number feel it without any new innovations being made to it. Lyricist Swasti Shree Sharma has alsokept things quite effortless though one doesn't really stays on with the song and merely moves on.
Chala Hai Joshi is another addition to the music album. The track begins with a guitar and composers Parvez Qasar and Subhash Pradhan have tried to keep the music simple and straightforward. Lyrics by Taabish Romani are catchy too and aptly narrate the tale of the protagonist Amar Joshi, hence connecting the masseswith the theme of the movie.
Next to arrive is Koi Na Samjha, a track by Parvez Qasar, which is a soft number with light music given by Parvez Qasar and Subhash Pradhan again. Overall, a nice composition and somewhat pleasant to the ears.
Its Rain Rain is a duet by Sunidhi Chauhan and Sukhwinder Singh. While Sunidhi Chauhan lends it a sensuous and a sumptuous appeal, Sukhwinder adds further flavor to it in his characteristic andaaz. He also does well in the composition department, hence spreading the magic of rain in the hearts of the listeners. However this time around its Sameer's lyrics which are the culprit as they are quite ordinary and just not manage to leave a mark.
Sanam Sanam, a duet track sung by Shaan and Shradha Pandit, is not pleasing at all though. Sukhwinder Singh's music is not at all catchy and doesn't even classify as ordinary. Sameer's lyrics are simple and don't manage to lend the album any laurels. An out and out skip worthy track.
Last to arrive is Zindagi Mere Pass which is sung and composed reasonably well by Sukhwinder Singh. An expression of 'dard' and melancholy can be truly felt in Sukhwinder's vocals; though overall the song seems to be quite unusual while trying to fit into the hilarious theme of the movie. Lyrics by Sameer are rhythmical and impressive though.
Overall, the music album is below average as it comprises of a few highs but severallows. Don't expect this one to be giving leading chartbusters any competition whatsoever.
Pooja Bhatt has come a long way as a director from Paap to Jism 2. Her movies might not be hits at the box office on a regular basis but music has been her forte, just like has been the case with her illustrious dad. From introducing Rahat Fateh Ali Khan to discovering the Maldivian singer Unoosha to having faith in music composer Arko Pravo Mukherjee, she has done it all. Jism 2 builds on the same premise and showcases Pooja Bhatt's music sensibility. The album has six original tracks which resonate with the film's theme. What you get to hear is something sensual, emotional and of course, really enjoyable.
Album begins with Abhi Abhi, which sets the tone of the album. It's a heartfelt rendition sung by K.K. A comeback for the singer, it reminds of his claim to fame track - Pal. He has sung the song beautifully in his honest voice that goes with the theme of the movie. Lyrics are by Arko and he is successful in capturing the essence of a forlorn lover in the song.
Second version of the track is a duet by K.K. and Shreya Ghoshal. There is not much difference between the two other than the fact that Shreya joins in as well. Both the versions are soothing to ears and grow on the listener.
Bhatt Camp movies have a characteristic sound in their movies which resonates loneliness and inner depth of life. Yeh Kasoor is a song that reminds one of the same. Mithoon, who would be forever remembered for Maula Mere Maula (Anwar) amongst others, is the music composer here. He has captured the mood right in the song and has chosen apt vocals of Sonu Kakkar (of Babuji Zara Dheere Chalo fame). However she sings this one quite differently here and while she does well, one can't be sure if her vocals would really add on to the female protagonist (Sunny Leone).
The album moves ahead with the track Maula which is sung by Ali Azmat, lead vocalist of the Pakistani Band Junoon, and has lyrics and music by Arko Pravo Mukherjee. This song has certain melancholy, desperation and emptiness in it, which is conveyed by Ali's voice quite effectively, hence turning out to be a treat to ears. The song is picturised on Randeep Hooda and it is a very sincere effort by the actor as well. 'Maula' is sung on a very high note and does give goose bumps to the listener.
Next in the album is the title track Yeh Jism. It has been sung and composed by the same team as Maula. Though the song has been in news for all the wrong reasons (there are way too many 'inspirations'!), there is much more to it. Ali Azmat has sung it beautifully in his Sufi-pop andaaz and adds further weight to the album.
Pooja Bhatt, who in her first directorial venture Paap had introduced Rahat Fateh Ali Khan (the name became a sensation after that), has done the same with the singer of the next track Hey Walla. Unnosha, who hails from Maldives, has done justice to this English song. This one is an exception in this somber and soothing album since it's a party track with techno arrangements. Abdul Baseeth has composed as well as written this number. Though the track seems out of place in the album, it definitely should have a place in the movie and create a worthy impact.
Overall, the album scores on many counts. Those familiar with music of any of the Bhatt films would be able to relate to and appreciate the album. Music composer Arko Pravo Mukherjee's tracks with the combination of Ali Azmat are the highlights of the album. The album has trademark Bhatt music that is bound to stays with the listener even though one waits to see how much the movie has to offer in terms of plot or characters. What seems though is that ultimately for Jism 2, music as well as the movie would be the winners.
While it's terribly scorching this summer, inside theaters there is something 'kool' expected with Kyaa Super Kool Hain Hum. While some of the albums these days are experimental with lyrics that are more meaningful and have a lot of depth to explore, there are also songs - as heard in Kya Super Kool Hain Hum - that are always welcome in a stressful life. After all, at times who doesn't wish to hear something light that does not warrant that you think but instead brings you on toes or makes you hum a few lines as well. That is exactly the definition of this very album composed by Anjjan - Meet Brothers, hence turning out to be a pleasant change.
The strength of the album is not only its unconventional, yet catchy lyrics given by Kumaar but also its vocal diversity, courtesy Sonu Nigam, Kailash Kher, Daler Mehndi, Sukhwinder Singh and Vishal Dadlani. But here is a missing piece; there is no female voice to hear. Leave aside a solo; there isn't even a duet, something that does one miss.
KSKHH is a humorous movie with an objective of filling loads of fun in your life and this comic intellect is well established by its first track - Dil Garden Garden Ho Gaya. Lyrics by Mayur Puri rhyme and make best use of attractive but close to common man terminology. If you are feeling down and low, put this Sachin-Jigar composed track on and shake your leg; rest assured you would be in high spirits.. There is a definite punch in the track (of not a bang) and the remix track follows the original as well.
Sonu Nigam's jadoo can be felt deep in the next track, Shirt Ka Button. Anjjan - Meet Brothers take over from here and their music is simple and pleasant. On the other hand interesting lyrics by Kumaar highlight his knowledge and love for female accessories, case in point being words that go as Baalon ka clip, aankhon ka liner, ring, button, color, necklace' etc. Lyrics are rather catchy as they also use English words like 'die hard', 'lover' etc. that act as good connectors for Hindi poetic lines. The magical romantic vocals of Sonu promise to de-stress one after a heavy day. Play the track in your car while driving home and feel relaxed. On the other hand people in love can well close their eyes, listen to it and dream of the one they adore while enjoying the moments to cherish.
Who says a successful and hit item number can only be done in feminine vocals? The challenge is well taken up and delivered by two amazing and strong voices of Sukhwinder Singh and Daler Mehndi in the next track - Hum Toh Hain Cappuccino (U.P. - Bihar Lootne). The hit track of 90s that is one of the pioneer in the history of item numbers, Main Aai Hoon U.P. Bihar Lootne, that was sung by Sapna Awasti and composed by Shankar-Ehsaan-Loy for the album Shool, has been redefined here. This 'tadka' number has the power to make masses clap and dance with it. Yet again, Kumaar has used very light lyrics that are easy to remember and the variation in this track can be made out from the fact that the folk flavor of U.P has been well complimented by the Marathi music.
It's time to play a game with the next song. What is the antonym of 'hot'? Well, it is 'cool'. And what is the antonym of Volume Kam Kar (Pappa Jag Jaayega) from Housefull? Well, it is the next track in KSKHH - Volume High Karle. As it turns out, this is a very average track sung by Neeraj Shreedhar. This one may have some life to it only in discotheques and dance parties but otherwise one won't appreciate on a regular day. Moreover, its non-captivating lyrics further bring it down. The 'remix track' is still better than the original track but that doesn't say much.
Before the album ends, there is experimentation with another version of - Shirt Ka Button. This time around, it's the Sufi voice of Kailash Kher that recreates the charm of the original. It's quite a shift in music where two icons of the music industry sing the same number in an entirely different fashion as this one is a slower version. It is beautiful magic with romance and Sufi taking on each other. You can pick either of the two depending on the mood, hence leading to a rare choice.
Overall, a good album that has a lot of comic sense to support its theme and has in it to surely 'kool' you down.
3 Bachelors, as the title suggests, appears to be an album about youth, masti, enjoyment and carefree attitude. Since the film's title includes '3', there is a promise to get thrice of what is expected. Hold on to your thoughts though since the irony is that the album is not even average. Falling in line with the name, there are 3 tracks in the album, something which is unconventionally less. It is said that teen tigaada, kaam bigaada; however the team does not seem to believe in any superstition, as the starcast too has '3' lead actors – Sharman Joshi, Riya Sen and Raima Sen.
Sharman and Ria had been seen earlier in the hit comedy Style a decade ago. Now 3 Bachelors pairs the Sen Sisters together and it has to be seen that what really is the impact they manage to create in the world of music as well as the film.
Unfortunately though, there is nothing much to speak about in each of the three tracks. There are big names like Shaan, Sunidhi Chauhan and Vinod Rathod involved but the album fails to capitalize on it.
The first track of the album, Dag Mag Dag Mag, has been decorated with beautiful voices of Shaan and Sunidhi Chauhan but lyrics given by Parveen Bhardwaj are very average. Same holds true for Daboo Malik's music as well. This romantic dance number starts well but is unable to leave any mark thereafter, hence turning out to be one of those hundreds of other songs which come throughout the year and vanish out soon.
The second track in the album, Dhoom Dhaam starts with the strong voice of Kalpana and is accompanied with beautiful tune of Rajasthani folk music. Soon enough though, it proves to be no different than the first track when it comes to the overall quality. Yes, there is a beautiful play of 'sarangi', something which is heard after a long time. However lyrics (by Rekha Mistri) as well as music resemble the era of 1980's and even though it tries to enter the territory of Pallo Latke [Naukar], it fails.
The third and the final track is Shankeriya Shankeriya, which is sung by Vinod Rathod and Mou Mukherjee. Though the two singers try to infuse some life in the proceedings, the yesteryear effect pulls this one down as well, hence turning out to be yet another downer.
Overall, 3 Bachelors is a below average album which will not be able to influence people to hear it again. Now if only it had included a few more numbers, it may still have had it's chances due to law of averages coming into play.
Cocktail - meaning, a drink made from various alcoholic drinks and when done perfectly really tastes great. Cocktails have evolved from experiments, few of them were successful and few not so successful. Seems this is what Pritam wanted to do this time and he has not only succeeded but made his mark on it. Truly, this cocktail should be named - Pritam's cocktail.
There is a long unusual list of 11 songs in the album; each one is unique in its own, mixed with a perfect blend of music, melody and instruments in background. All the songs are done very neatly - from rock to Sufi, from bandhu to sakha, from good voice to excellent music, from soft number to a rock number, from young to old, there is something for all.
Track one, Tum Hi Ho Bandhu is already a massive hit. This is a masterpiece done by Pritam. Just realize this one – it is Sufi song done by Kavita Seth accompanied by modern instruments and good fast music, Never ever heard before. This one is melodious, soft but still a peppy number. Not to forget lyrics too add on magic Tum Hi Ho Bandhu, as these words were a prayer sung in morning school assemblies.
The second song of the album, Daaru Desi has a different strength to its credit; the lyrics are simple and easy to remember. Each of us can easily hum this one and this is actually what makes it unique.
Next track Second Hand Jawani is a well done item number by Neha Kakkar which is fulfilling the purpose of a number that can attract masses and people can correlate this item number with the movie.
An experiment, Yaariyaan is a true rock number and another dimension of what Pritam has created. For people who are in love with rock music, this is Pritam's gift and what makes it more recognizable are some beautiful voals by Mohan Kanan. Though the length of the song is over 6 minutes it never bogs you down.
Followed by this is the track Lutna, a Sufi song, which is another experiment in the forte of Pritam da. A mix of modern instruments and amazing play of keyboard, this Sufi number is work of a genius.
Next in the album is Tera Naam Japdi Phiran , which is just an ordinary Punjabi number mixed with English punch lines that are inspired by the Barbie series.
The experiment moves to the next track of Yaarian (reprise). Starting with the beautiful play of keyboard, it is accompanied by beautiful, melodious and soft voice of Sunidhi Chauhan which mixes high notes well. Usually it is found that two versions of the same song are not so different in an album, but this is not the case here. To say if one is sun and another is moon; these two versions are very different and done beautifully which shows that music director has been willing to takes up the challenge to do the same number in different ways and pretty much succeeded.
Jugni, is another gift for Sufi and rock lovers. It is Punjabi Sufi track with an element of rock in it and what makes it different from the league is the experiment done with drums. The next two tracks though, second versions each of Tera Naam Japdi Phiran and Lutna, are not much different from their original tracks and look just a repeat.
Last but not the least is Main Sharabi, a track that is not so impressive, but reminds of Gurdas Maan numbers. The song can do well in a cocktail party and enjoyed after couple of drinks.
One rarely sees so many experiments being successfully done at one go and this challenge is lived up by Pritam. Overall it is an amazing album with a variety of rich music which has something for all.
Music lovers would be delighted to hear this kind of album after a long, long time and going to live it for some more time to come.
Music album of Bol Bachchan creates a mood of festivity and the kind of celebration which is as melodious as the big name involved - Bachchan. Core strength of the album is Himesh Reshammiya who has not gone over the board to experiment with the music. It seems like he firmly believed that at times going over board may land you no where. On the toughest pitches even Sachin Tendulkar sticks to the basics and Himesh has stuck to these basics and finally scored a boundary century. Even the arrangements are simple but add on to the overall effect.
Album has a total of 8 songs, 4 original and rest being their remixes. Original tracks are all amazing and it becomes difficult to rate which one is the best of all.
Track one, Bol Bachchan, starts as a tribute to the great work of My Name is Anthony Gonsalves (Amar Akbar Anthony) where a horrendous game of words is played by the magnanimous name - Mr. Bachachan. Looks like Himesh has made Sr. Bachchan work hard for the song and he too has competed well with best of singers. This Farhad-Sajid written song has a certain quality; it is for all age groups - Bache, Budhe aur Jawan. The remix is as good as the original and equally enjoyable. It has been made especially for the discotheques and dance parties.
In track two, Shabbir Ahmed written Chalao Na Naino Sa, Himesh is back with a bang as a singer after a brief period of lull. The first few words tell the whole story of the song; it is melodious, amazing and a hit in the making. What is best about the song is that, it has given due respect to the instrument that has been the backbone of Indian music – Harmonium. This has made the song even more attractive. Shreya Ghoshal has also complemented Himesh well and competed well to make everyone realize that a song can not only be running on his name and she is an equal partner in all the fun. This one, just like the first track, will surely do well in the masses. The remix, though using drums to a good effect, is just similar to the original and doesn't cover much distance.
Track three, Nach Le Nach Le, is another song to mark the mood of celebration and festivity. A celebratory number, it sees Sukhwinder in a full form. He has always done justice to the work that has ever come his way and with his strong voice; he ensures that the song becomes enjoyable all over again. Guest composers Ajay-Atul are in good form here and Swanand Kirkire's lyrics only add on further weight to the song. Same can't be said though about the remix where one does feel that it could have carried much more spunk.
With the next track, Jab Sa Dekhi Ha, Mohit Chauhan shows that he can be a part of a really happy outing as well instead of just demonstrating the pathos of a character. His amazing voice in a Sufi rendition is always a pleasure to hear. Mohit's voice is complemented well in the song by good and simple lyrics by Sameer, hence proving all over again that being simple more often than not pays. Thankfully the remix is a tad better here as well and one can see that there is some good effort behind it.
Overall, the album has the kind of instant masala which can be expected to rule the world of parties, marriages, social gatherings and discotheques. Though it isn't quite the kind that makes for a memorable outing, for the purpose of film it ensures there are enough hit tunes to cheer about.
Music album of Maximum can be said to have maximum diversity in a single setting. The amazing fact is that out of six total tracks, three are two Sufi numbers, one Shloka taken from Rudrakash with the remaining three being more of items numbers. Quite some diversity!
Music of the album seems to be just about fine though, not to mention that the opening item track which, to give due credit, is quite a catchy number.
The album erupts with the Aa Ante Amalapuram, a good work by music director Devi Sri Prasad, which has been given strong voice of Malathy and together both have done well. The song is quite interesting since there is a good play of an item number that uses heavy beats and drums along with the use of some Bhojpuri words in the middle. It is borrowed from a hit South Indian track that is already a proven hit and soul of dance parties there.
Play of rhyming words starting with Aa Ante Amalapuram is not only interesting but also the soul of the track. This one establishes the fact that whether it's a small or big budget movie, all must have an item number to associate itself with, which is done for the masses, by the masses and to attract the masses. Of course the whole credit for this goes to Munni and Sheila!
Album has two true Sufi tracks which is quite a rarity. The first of the two, Ya Maula is quite lengthy as it lasts for over 7 and half minutes. Shabbir Ahmed has used beautiful Urdu words admiring the almighty. Music of Vikram-Sawan is also good and touches the heart but still something more could have been done in it. Hear this one with closed eyes and your soul will start enjoying it.
The third track, Aaja Meri Jaan, is not even an average track. Music is very ordinary and lyrics are not even ordinary. Seems here is a last minute track done in rush and surely not worth listening for a second time. Lyrics are so dull that you may soon stop this one and move to the next track.
The next track - Sutta - is a rowdy track. It's a perfect number to be played in all guys' cocktail party. Shrill voices of Nadeem Khan and Tulsi Kumar complement each other well, as they try hard to replicate the magic of Himesh Reshammiya. Though lyrics are quite weak and make little sense, only the music of the song holds on. Music Director Amjad Nadeem should be thanked to make such lyrics work.
The next one is Namami Shamishan which is a beautiful and different track. Taken from Rudrashatak (Ramcharita Manas), this one has been delivered in various albums in the past but the one here is more amazing and soothing. It experiments well with the beautiful play of instrumental music while praising almighty Lord Shiva, destroyer of the whole universe.
The final track of the album is the second of the Sufi track - Maan Qunto Maula. A nice number; it scores few more brownie points over the first one. Sufi track is another formula these days to make an album work and here too it delivers good results. Reason being it includes good ingredients of strong lyrics, musical nodes taken from classical background, good music - both vocal and instrumental and amazing voice that is not only soothing to ears but also to the soul. Each words connects well with other hence bringing alive the whole theme; ditto is the case here in this track. Nasir Ali Nasir has given good lyrics and singers Raga Boys have done there job well.
Overall the music of album is fine as few of the tracks are good. Still, there is something missing as well since not all of them are catchy enough. After all, only item numbers and Sufi music cannot hold fort on their own; balancing it all is truly an art.
Music album of Daal Mein Kuch Kaala Hai is not even average; in fact it would be apt to say that Poori Daal Hi Kaali Hai Mere Dost! What a misadventure by all involved, whether it comes to the lyricists, music director or the singers. It looks like they promised each other to deliver poor music and kept it till eternity. This one is a short album with 5 songs but not even one of them is worth lending an ear for the second time. It isn't as if you need well established artists to deliver a nice album, but what is needed is a commitment. Alas, it is this very commitment which is sorely missing.
Track one, Madam Malai, seems to be a perfect nominee for the "Least talked about item number of the year". Lyricist Naresh and Anand Balraj could have played better with the words. It seems that both music director and lyricist started with an item number but eventually never knew which way to go and then finally lost it. The music resembles the flavor of late 90s and is very ordinary.
Next one in the play list is the song Vada Pav. Looks like the lyricist felt that Vada Pav is the prime delicacy of the city. Song also focuses on the financial strength of Mumbai while also referencing Salman and Ambani. With the songs that follow, one can see that the entire team behind this album is really spell bound by the city and is in love with it.
Third track is Mumbai Money Hai which has poor lyrics by Vijay Akela, something which is also an inherent element of the album. The song focuses yet again on the maya nagari Mumbai and paints a picture of this dream city. The only good aspect here is Mamta Sharma's voice.
The fourth track is Apun Ki Life which is sung by Amit Kumar and ex- rap artist Bali Brahmabhatt. Rap was given an identity in India by Baba Sehgal and did well in late 90s. However over the years it died its natural death even though one has to mention the contribution made by Bali Brahmabhatt during that era when he did have a few good hits in his name. Forgotten Bali has now tried hard for a comeback but the irony is that he would have to wait a little more to deliver a good one. The soul of the rap should be its lyrics and here Vijay Akela's words are again quite weak.
Finally the last track (thankfully) arrives and though Nadiya has beautiful poetic lyrics, a total misadventure on the part of music director Arun Daga ensures that this one doesn't even classify as an average song. The voice doesn't build any emotions either. Some experimentation could have made this track more workable.
Overall, this album should be (and would be) forgotten at the speed of light and in a splash for which the credit goes to the entire team. This one is late by not less than 20 years and has a bad inspiration from the music of 90s. Perhaps the team forgot that something like this won't be supported or loved by this generation.
